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Cavalcanti, A. (1939). Sound in films. Retrieved January 16, 2006, from ... /575/sound-in-films.htm
Last edited by: Mark Grimshaw-Aagaard 2021-09-10 10:23:27
      The author is quite scathing about the use of Romantic (and neo-Classical) music in films of the time. "It is an idiom suited to an atmosphere of pomp and display. In style, the music of the cinema, by and large, represents a fixation at a stage of development which the art itself left behind about thirty years ago. Tschaikovsky, Rachmaninov, Sibelius, are the spiritual fathers of most cinema music."
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