Sound Research WIKINDX
Sound Research WIKINDX |
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Displaying 1 - 7 of 7 Parameters |
| Bakker, E. M., & Lewis, M. S. (2002). Semantic video retrieval using audio analysis. Lecture Notes in Computer Science, 2383, 271–277. |
 
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| Added by: Mark Grimshaw-Aagaard 20/04/2005, 16:19 | |
| Kim, K., Choi, J., Kim, N., & Kim, P. (2002). Extracting semantic information from basketball video based on audio-visual features. Lecture Notes in Computer Science, 2383, 278–288. |
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| Added by: Mark Grimshaw-Aagaard 09/06/2005, 13:20 | |
| Moncrieff, S., Dorai, C., & Venkatesh, S. (2001). Analysis of environmental sounds as indexical signs in film. Lecture Notes in Computer Science, 2195, 538–545. |
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| Added by: Mark Grimshaw-Aagaard 24/08/2005, 14:36 | |
| Murphy, D., & Pitt, I. (2001). Spatial sound enhancing virtual story telling. Lecture Notes in Computer Science, 2197, 20–29. |
 
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| Added by: Mark Grimshaw-Aagaard 08/06/2012, 14:59 | |
| "Sound and in particular spatial sound is a very powerful medium for conveying a sense of immersion within a virtual environment. The various attributes of spatial sound can affect the perception of an environment, the context of a communication, and alter the meaning of a message." | |
| "Subjects appear more willing to explore a room or space if it has associated sound. However, there is also some evidence that a subject may curtail exploration of the current area if the sounds suggest that an adjacent area may be more interesting." | |
| Describes the use of environmental sounds to "lure" VE users to other locations. While these distant sounds are usually at a low level, they are occasionally amplified in an attempt to entice the user to explore in the direction of the sound. These sounds (or their sources) are never visually realised. | |
| Re. the use of head-tracking devices feeding back into a sound spatialization engine, these help give better sound directionality and assist in sound source externalization (i.e. not having the sound inside-the-head via headphones). In this sense, nutation is mimicked. | |
| Velivelli, A., Ngo, C.-W., & Huang, T. S. (2003). Detection of documentary scene changes by audio-visual fusion. Lecture Notes in Computer Science, 2728, 227–238. |
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| Added by: Mark Grimshaw-Aagaard 09/06/2005, 11:21 | |
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One of the team's observations of documentaries is that usually "the visual pattern has a counterpart audio pattern." An example they give is: audio class: speech <-------- speech + siren <-------- speech visual sequence: aircraft <---hanger [sic]/fire <-------- officer speaking |
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For documentaries, they define 6 audio classes:
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| Velleman, E., van Tol, R., Huiberts, S., & Verwey, H. (2004). 3d shooting games, multimodal games, sound games and more working examples of the future of games for the blind. Lecture Notes in Computer Science, 3118, 257–263. |
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| Added by: Mark Grimshaw-Aagaard 23/05/2005, 15:45 | |
| Xu, M., Duan, L.-Y., Cai, J., Chia, L.-T., Xu, C., & Tian, Q. (2004). HMM-based audio keyword generation. Lecture Notes in Computer Science, 3333, 556–574. |
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| Added by: Mark Grimshaw-Aagaard 06/06/2005, 10:48 |