Berndt, A., & Hartmann, K. 2007, September 28–29. Strategies for narrative and adaptive game scoring. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.
Added by: Mark Grimshaw-Aagaard 08/05/2008, 08:04
Blaszczak, D. 2007, September 28–29. Practical aspects of audio design for virtual environments. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau.
Added by: Mark Grimshaw-Aagaard 14/01/2009, 09:14
Davies, G., Cunningham, S., & Grout, V. 2007, September 27–28. Visual stimulus for aural pleasure. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau.
Added by: Mark Grimshaw-Aagaard 07/05/2008, 10:56
Farnell, A. 2007, September 28–29. Synthetic game audio with puredata. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau.
Added by: Mark Grimshaw-Aagaard 07/05/2008, 12:19
Martinez Hernandez, E., Adiloglu, K., Annies, R., Purwins, H., & Obermayer, K. 2007, September 28–29. Perceptual representations for classification of everyday sounds. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 08/05/2008, 07:48
Tuuri, K., Mustonen, M.-S., & Pirhonen, A. 2007, September 27–28. Same sound — different meanings: A novel scheme for different modes of listening. Paper presented at Audio Mostly 2007.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 07/05/2008, 12:43
"Reduced listening can be referred to as musical listening only when listening process [sic] is concerned with musically determined qualities and structures."
The authors propose 8 modes of listening as below (ordered from low to high levels of cognitive abstraction):
Pre-conscious modes
Reflexive Did you notice any reflexive responses triggered by sound?
Connotative Can you describe what kind of freely formed associations listening immediately evoked?
Source-orientated modes
Causal What could have caused the sound?
Empathetic Does it feel that sound signals someone’s state of mind or intentions?
Context-orientated modes
Functional What was the purpose of the sound? What function does the context indicate?
Semantic Does the sound seem to represent any symbolic/ conventional meanings?
Critical Was the sound suitable for the situation? Did you understand it correctly?
Quality-orientated modes
Reduced Can you describe the properties of the sound itself as objectively as possible?
