Sound Research WIKINDX
Sound Research WIKINDX |
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Displaying 1 - 20 of 32 Parameters |
| Baddeley, A., & Logie, R. (1992). Auditory imagery and working memory. In D. Reisberg (Ed), Auditory Imagery. (pp. 179–197). Mahwah (NJ): Lawrence Elrbaum Associates. |
 
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 25/12/2014, 10:00 | |
| Bailes, F. (2019). Empirical musical imagery beyond the "mind's ear". In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 445–463). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 19/05/2021, 09:01 | |
| Bech, S., & Francombe, J. (2019). Consumer sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 321–348). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 19/05/2021, 08:44 | |
| Bench, J. (1971). Anticipatory elicitation of the middle-ear muscle reflex. The Journal of Laryngology and Otology, 85(11), 1161–1165. |
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| Added by: Mark Grimshaw-Aagaard 02/05/2014, 11:55 | |
| Bronowski, J. (1979). The origins of knowledge and imagination. New Haven and London: Yale University Press. (Original work published 1978). |
 
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 08/01/2017, 12:40 | |
| Imagination "is squarely rooted in [the eye] ... We cannot separate the special importance of the visual apparatus of man from his unique ability to imagine" | |
| "most of the time we use vision to give us information about the world and sound to give us information about other people in the world." | |
| Bunzeck, N., Wuestenberg, T., Lutz, K., Heinze, H.-J., & Jancke, L. (2005). Scanning silence: Mental imagery of complex sounds. NeuroImage, 26(4), 1119–1127. |
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| Added by: Mark Grimshaw-Aagaard 03/05/2014, 11:59 | |
| Byrne, R. M. J. (2007). The rational imagination: How people create alternatives to reality. Cambridge: The MIT Press. (Original work published 2005). |
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| Added by: Mark Grimshaw-Aagaard 27/08/2011, 04:49 | |
| "One of the more surprising aspects of counterfactual imagination is that there are remarkable similiarities in what everyone imagines." | |
| The similarities in imaginative scenarios suggest "that there are "joints" in reality, junctures that attract everyone's attention." | |
| "people tend to change unusual events to make them more normal." | |
| "A counterfactual conditional [using the subjunctive mood] such as "if only he had been handsome, I would have married him" evokes two possibilities, an imaginary possibility in which the man is handsome and the speaker marries him, and a reality in which the man was not and she did not." | |
| "The negative counterfactual seems to propose that its antecedent is fake." The example Byrne uses is "if Oswald had not killed Kennedy then someone else would have." The presupposition, or antecedent, is that Oswald had killed Kennedy; the negative counterfactual proposes otherwise. | |
| "Inventions of new instances of a category appear to be structured by existing conceptual knowledge." | |
| "to think counterfactually is to think causally" (p.6). Byrne traces such thinking to Hume and Mill but counterfactual and causal thoughts are sometimes divergent. e.g. Taxi driver refuses ride to couple who then take their own car. Taxi driver drives safely over bridge; shortly after, as the couple drive over it, the bridge collapses and kills them. The cause of the bridge collapsing was not the taxi driver's refusal yet people still blame the driver for the deaths. "If only he had given the couple a ride!" | |
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Discussing the number of possibilities people imagine/infer when given a proposition. 1. Conjunction -- A went to stables and rode S. (1 possibility.) 2. Bicondition -- If, and only if, A went to stables, she rode S. (2 possibilities.) 3. Conditional -- If A went to stables, she rode S. (3 possibilities.) |
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| Crowder, R. G., & Pitt, M. A. (1992). Research on memory/imagery for musical timbre. In D. Reisberg (Ed), Auditory Imagery. (pp. 29–44). Mahwah (NJ): Lawrence Elrbaum Associates. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 25/12/2014, 10:00 | |
| Egermann, H. (2019). Creating a brand image though music: Understanding the psychological mechanisms behind audio branding. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 349–367). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 19/05/2021, 08:50 | |
| Garner, T. A., & Grimshaw, M. (2014). Sonic virtuality: Understanding audio in a virtual world. In M. Grimshaw (Ed), The Oxford Handbook of Virtuality. (pp. 364–377). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 18/01/2014, 11:55 | |
| Garner, T. A. (2019). Bridging the other-real: Video game sound and the imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 789–808). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 19/05/2021, 09:14 | |
| Gettier, E. (1963). Is justified true belief knowledge? Analysis, 23(6), 121–123. |
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| Added by: Mark Grimshaw-Aagaard 07/01/2017, 11:24 | |
| Gotlieb, R. J., Hyde, E., Immordino-Yang, M. H., & Kaufman, S. B. (2019). Imagination is the seed of creativity. The Cambridge handbook of creativity. |
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| Added by: alexb44 Last edited by: alexb44 02/09/2026, 03:03 | |
| Grimshaw, M., & Garner, T. 2014, October 1–3. Imagining sound. Paper presented at 9th Audio Mostly Conference, Piteå, Sweden. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 30/10/2014, 08:00 | |
| Grimshaw, M., & Garner, T. A. (2015). Sonic virtuality: Sound as emergent perception. New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 31/05/2015, 15:30 | |
| Grimshaw-Aagaard, M. (2019). Presence, environment, and sound and the role of imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 669–681). New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 27/11/2021, 11:43 | |
| Grimshaw-Aagaard, M. N. (2019). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 105–113). United Kingdom: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard 06/02/2023, 12:42 | |
| Grimshaw-Aagaard, M., Walther-Hansen, M., & Knakkergaard, M. (Eds). (2019). The Oxford handbook of sound and imagination. Vol. 1 & 2. New York: Oxford University Press. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 08/11/2018, 06:04 | |
| Hoshiyama, M., Gunji, A., & Kakigi, R. (2001). Hearing the sound of silence: A magnetoencephalographic study. NeuroReport, 12(6), 1097–1102. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 02/05/2014, 11:56 | |
| "Our results suggested that the initial activity for sound retrieval was not related to the primary auditory cortex but to the IF-INS regions, although the activities of the primary auditory cortex might follow later in the neural processes of retrieval." | |
| Hughes, H. C., Darcey, T. M., Barkan, H. I., Williamson, P. D., Roberts, D. W., & Aslin, C. H. (2001). Responses of human auditory association cortex to the omission of an expected acoustic event. NeuroImage, 13, 1073–1089. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 02/05/2014, 12:06 |