Chion, M. (1994). Audio-vision: Sound on screen. C. Gorbman, Trans. New York: Columbia University Press.
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Genge, G., Schwarte, L., & Stercken, A. (Eds). (2021). Aesthetic temporalities today: Present, presentness, re-presentation. New York: Columbia University Press.
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Kristeva, J. (1982). Powers of horror: An essay on abjection. L. S. Rudiez, Trans. New York: Columbia University Press.
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Kristeva, J. (1984). Revolution in poetic language. M. Waller, Trans. New York: Columbia University Press.
Added by: Mark Grimshaw-Aagaard 07/05/2006, 16:38
Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press.
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Metz, C. (1985). Aural objects. In E. Weis & J. Belton (Eds.), Film Sound: Theory and Practice. (pp. 154–161). New York: Columbia University Press.
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Weis, E., & Belton, J. (Eds). (1985). Film sound: Theory and practice. New York: Columbia University Press.
