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Sound Research WIKINDX

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Röber, N. (2008). Interaction with sound: Explorations beyond the frontiers of 3D virtual auditory environments. Unpublished Dissertation Dr.-Ing, Fakultät für Informatik, Magdeburg.
Added by: Mark Grimshaw-Aagaard 06/11/2008, 05:30
Röber, N., Deutshmann, E. C., & Masuch, M. 2006, October 11–12. Authoring of 3D virtual auditory environments. Paper presented at Audio Mostly 2006, Piteå, Sweden.
Added by: Mark Grimshaw-Aagaard 15/02/2008, 11:45
Röber, N., & Masuch, M. 2004, November 8–10. Auditory game authoring: From virtual worlds to auditory environments. Paper presented at International Conference on Computer Games: Artificial Intelligence, Design and Education, University of Wolverhampton, UK.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 31/08/2005, 14:51
"...the visual and the auditory field of view are two independent sensory systems..."
"Auditory environments are much like visual environments. The only difference is that these environments are perceived by hearing instead of vision. The environmental information conveyed through sound is usually different than the one through vision (Goldstein 2001)." E.Bruce Goldstein, Sensation and Perception Wadsworth Publishing Company,2001
"For the rendering of acoustic scenes, it is more important to focus on the clarity and effectivity of the display rather than on physically accurate rendering."
The authors divide sound in [game] auditory environments into: Story-related sound textures. Sounds can be activated by user interaction. Can be one sound or layered sounds and drive the narrative onward. Environmental sound textures. Characterise story-related sound textures in different environments. The example they give is tyres on a moving car in different environments. Tyres are the story-related sound texture; dirt road, wet tarmac etc. are the environmental sound textures. The latter are defined and processed by the game's physics engine.
Röber, N., & Masuch, M. 2004, July 6–9. Interacting with sound: An interaction paradigm for virtual auditory worlds. Paper presented at Tenth Meeting of the International Conference on Auditory Display, Sydney, Australia.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 27/07/2005, 11:47
Three categories of auditory phenomena in auditory worlds: Speech -- (transmission of knowledge) Music -- (suited to affect and emotion) Natural or artifical sounds The last is the largest and may be further broken down to: Main sounds Supporting sounds Ambient sounds or describing sounds -- information about environment artifical sounds -- used for identifaction of objects
All objects in an auditory[-only] world are described as 'interactable' -- all objects must emit sound otherwise they do not exist for the listener. These objects can be grouped as obstacles -- interfere with environment navigation portals -- allow change of position within the environment interactables -- most interactive and its sounds describe the object's potential or possibilities. There is a little discussion of difficulties in choosing sounds appropriate for the interactables (Gaver 1986)
Röber, N., & Masuch, M. 2005, June 16–20. Playing audio-only games: A compendium of interacting with virtual auditory worlds. Paper presented at Changing Views -- Worlds in Play, Toronto.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 27/07/2005, 11:13
"The most important quality to explore acoustic spaces is the ability to determine the origin of sounds and speech."
Röber, N., & Masuch, M. (2006). Soundpipes: A new way of path sonification. Technical Report. No. 5. Magdeburg: Fakultät für Informatik, Otto-von-Guericke Universität.
Added by: Mark Grimshaw-Aagaard 15/02/2008, 11:24