Sound Research WIKINDX |
![]() |
|
Displaying 1 - 2 of 2 |
| Lefebvre, H. (1991). The production of space. D. Nicholson-Smith, Trans. Oxford: Blackwell. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 03/05/2026, 01:34 | |
|
Complex spaces can be distinguished as: 1. Isotopias -- analogous places. 2. Heterotopias -- contrasting places, prohibited places(?). 3. Utopias -- no place, the absolute, symbolic, imaginary. See also Foucault for heterotopias (Foucault 1984). |
|
| Sacco, P. L., Ghirardi, S., Tartari, M., & Trimarchi, M. (2019). Two versions of heterotopia: The role of art practices in participative urban renewal processes. Cities, 89, 199–208. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 03/05/2026, 06:24 | |
| "Foucault's heterotopia is centered upon a representational approach to space, and generates a dichotomous urban epistemology structured along polarizations such as center-periphery and elites-community. Foucault's heterotopia is consequently possibly conducive to a topdown dialectic [...] Lefebvre's notion of heterotopia, on the contrary, is un-representational, and proposes a dialectical vision of space as a canvas for social change. From a spatial point of view, Lefebvre's heterotopia focuses upon places where economic exchange is neglected, rather than allowed/denied, thus creating the conditions for re-imagining a collectively meaningful notion of urban habitat. In Lefebvre's view, heterotopies are created by practices: they flourish spontaneously from collective action, and express a romantic idea of urban revolution. The debate on the re-appropriation of the right to the city that follows a bottom-up approach originates from the Lefebvrian perspective, and is linked to the promotion of democratic civism and to the recovery of practices of citizenship" | |
| Interpret Foucault's heterotopia as "a portion of an autonomous, centripetal territory, separated from the rest of the world, a space that lives for itself and which is closed in itself [...] spaces that question existing relations and create a moment of displacement, disconnection from an existing social, cultural and aesthetic order [it] connects to the hyper-economization of all aspects of social life as determined by the global prevalence of the neoliberal paradigm" |