Casati, R., & Dokic, J. (2009). Some varieties of spatial hearing. In M. Nudds & C. O'Callaghan (Eds.), Sounds & Perception. (pp. 97–110). Oxford: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 01/02/2014, 11:15
The Located Event Theory of Casati and Dokic: "sounds are located at their sources, and are identical with, or at least supervene on, the relevant physical processes in them"
"[a] principle of classification of metaphysical theories of sounds can be based on the alleged location each theory assigns to sounds"
Dennett, D. C. (1978). Brainstorms: Philosophical essays on mind and psychology. Hassocks, Sussex: Harvester Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 11/09/2018, 17:21
Talking of workers manipulating mechanical arms (viz. teleoperation): "They know perfectly well where they are and are not fooled into false beliefs by the experience, yet it is as if they were inside the isolation chamber they are peering into. With mental effort, they can manage to shift their point of view back and forth, rather like making a transparent Neckar cube or an Escher drawing change orientation before one's eyes. It does seem extravagent to suppose that in performing this bit of mental gymnastics, they are transporting themselves back and forth." (italics in original)
Grimshaw, M., & Garner, T. A. (2015). Sonic virtuality: Sound as emergent perception. New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 31/05/2015, 15:30
Hofman, P. M., Van Riswick, J. G. A., & Van Opstal, A. J. (1998). Relearning sound localization with new ears. Nature Neuroscience, 1(5), 417–421.
Added by: Mark Grimshaw-Aagaard 02/02/2014, 11:05
Kacelnik, O., Nodal, F. R., Parsons, K. H., & King, A. J. (2006). Training-induced plasticity of auditory localization in adult mammals. PLoS Biology, 4(4), 0627–0638.
Added by: Mark Grimshaw-Aagaard 02/02/2014, 10:17
LaBelle, B. (2006). Background noise: Perspectives on sound art. New York: Continuum.
Added by: Mark Grimshaw-Aagaard 09/03/2014, 11:13
"sound is always in more than one place. If I make a sound, such as clapping my hands, we hear this sound here, between my palms at the moment of clapping, but also within the room, tucked up into the corners, and immediately reverberating back, to return to the source of the sound."
"Amplifying existing sounds, fostering auditory dialogues across inside and outside, tapping into structural vibrations to expand the sonic palette of tonality, and designing listening experiences by harnessing the environmental mix of found auditory events: each of these procedures come to the fore in sound installation, blossoming more fully into the beginnings of sound art as a distinct discipline."
"Xenakis's example is indispensable to any formulation of a history of sound art by forging a dynamic mix of musical and spatial elements. To appropriate and create architecture for renewed sense of listening, sound installation moves increasingly toward public space, situating the listener within a larger framework of sonic experience that is necessarily social, thereby leaving behind the singular object or space for an enlarged environmental potential."
"sound makes a given space appear beyond any total viewpoint: in echoing throughout the room, my clapping describes the space from a multiplicity of perspectives and locations, for the room is here, between the space of my palms, and there, along the trajectory of sound, appearing at multiple locations within its walls, for "the sound wave arriving at the ear is the analogue of the current state of the environment, because as the wave travels, it is charged by each interaction with the environment"1."
Nudds, M. (2009). Sounds and space. In M. Nudds & C. O'Callaghan (Eds.), Sounds & Perception. (pp. 69–96). Oxford: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 01/02/2014, 11:09
"[sound] is wholly instantiated wherever it is instantiated, including where we are"
"sounds are patterns or structures of frequency components instantiated by sound waves"
O'Shaughnessy, B. (2009). The location of a perceived sound. In M. Nudds & C. O'Callaghan (Eds.), Sounds & Perception. (pp. 111–125). Oxford: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 01/02/2014, 11:14
sound moves through space because it is the transferal of physical force; there is an "essential spatio-temporal dynamism of sound"
Slattery III, W. H., & Middlebrooks, J. C. (1994). Monaural sound localization: Acute versus chronic unilateral impairment. Hearing Research, 75(1-2), 38–46.
Added by: Mark Grimshaw-Aagaard 02/02/2014, 11:21
Van Wanrooij, M. M., & Van Opstal, A. J. (2005). Relearning sound localization with a new ear. The Journal of Neuroscience, 25(22), 5413–5424.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 02/02/2014, 11:11
Wightman, F. L., & Kistler, D. J. (1997). Monaural sound localization revisited. Journal of the Acoustical Society of America, 101(2), 1050–1063.
