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Thompson, K., & Bordwell, D. (2003). Film history: An introduction. 2nd ed. New York: McGraw-Hill.    
Added by: Mark Grimshaw-Aagaard 16/02/2006, 08:46
The ability to record then mix sound to film at a later date was increasingly possible from 1931 onwards.  

Some early directors overcame synch limitations of early dubbing techniques by filming characters from behind thereby not showing their lips moving. The ambiguity of this device was often used for dramatic effect by directors such as Hitchcock (e.g. Blackmail) (Hitchcock 1929).
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