Böhm, S., & Bruni, A. (2003). Intro. Ephemera, 3 Retrieved September 6, 2004, from http://www.ephemeraweb. ... al/3-4/3-4editorial.pdf
Added by: Mark Grimshaw-Aagaard 06/09/2004, 16:10
Cobussen, M. (2003). Ethics and/in/as silence. Ephemera, 3 Retrieved September 9, 2004, from http://www.ephemeraweb. ... nal/3-4/3-4cobussen.pdf
Added by: Mark Grimshaw-Aagaard 09/09/2004, 20:47
Talking of Cage's 4'33": "Silence consists of sounds. All possible sounds. The only reason we say they are silence is because they are unintended, inadvertently produced, not meant to be music, not meant to be part of a musical work."
Corbett, M. J. (2003). Sound organisation: A brief history of psychosonic management. Ephemera, 3 Retrieved April 19, 2004, from http://www.ephemeraweb. ... rnal/3-4/3-4corbett.pdf
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 19/04/2005, 12:03
Paraphrasing Walter Ong (1982): "...sound signals the exercise of power since it must be in active production in order to exist at all. Without movement there is no sound."
Mentions John Cage's 4'33" and that it explores indeterminancy. Sounds external to the musical score are the actual performance. These (traffic, coughs, birds etc.) are different each time.
Kociatkiewicz, J., & Kostera, M. (2003). Shadows of silence. Ephemera, 3 Retrieved January 20, 2004, from http://www.ephemeraweb. ... -4/3-4kocia-kostera.pdf
