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The sound of horror. 2003, August 29. B. Carpenter (Producer). Boston: WZBC 90.3 FM Boston College.
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Ekman, I., & Kajastila, R. 2009, February 11–13, Localisation cues affect emotional judgements: Results from a user study on scary sound. Unpublished paper presented at AES 35th International Conference, London.
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Grimshaw, M. 2009, September 2–3. The audio uncanny valley: Sound, fear and the horror game. Paper presented at Audio Mostly 2009, Glasgow, UK.
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Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage.
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Hoeger, L., & Huber, W. 2007, September 24–28. Ghostly manipulation: Fatal Frame II and the videogame uncanny. Paper presented at Situated Play, University of Tokyo.
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Kelleghan, F. (1996). Sound effects in science fiction and horror films. Retrieved November 20, 2008, from http://filmsound.org/ar ... orsound/horrorsound.htm
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Kromand, D. 2008, October 22. Sound and the diegesis in survival-horror games. Paper presented at Audio Mostly 2008, Piteå, Sweden.
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Krzywinska, T. (2002). Hands-on horror. In G. King & T. Krzywinska (Eds.), Screenplay: Cinema/Videogames/Interfaces. (pp. 206–223). London: Wallflower Press.
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Mala, E. 2008, November 24. The sound of horror. Newsweek.
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Moncrieff, S., Venkatesh, S., & Dorai, C. 2003, July 6–9. Horror film genre typing and scene labelling via audio analysis. Paper presented at International Conference on Multimedia and Expo.
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Naito, T. 2005. Interview with Hideo Nakata, specter director. Kateigaho, Winter.
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Spadoni, R. (2007). The sound and the horror. University of Chicago Magazine, 100(1). Retrieved November 20, 2008, from http://magazine.uchicag ... 0/features/horror.shtml
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Spadoni, R. (2007). Uncanny bodies: The coming of sound film and the origins of the horror genre. Berkeley: University of California Press.
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Whittington, W. (2007). Sound, silence and horror. Offscreen, 11(8-9). Retrieved November 20, 2008, from http://www.offscreen.co ... /whittington_forum1.pdf
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