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Théberge, P. (1989). The 'sound' of music: Technological rationalization and the production of popular music. New Formations, 8, 99–111.    
Added by: Mark Grimshaw-Aagaard 14/03/2006, 13:09
"the 'artificial tonality' that is characteristic of multitrack recordings can be regarded as a ... result of a shift in recording aesthetics away from 'realistic' documentation of a musical event to the creation of one."
Théberge, P. (1997). Any sound you can imagine: Making music/consuming technology. Hanover, NH: Wesleyan University Press.   
Added by: Mark Grimshaw-Aagaard 19/09/2004, 11:01
WIKINDX 6.18.0 | Total resources: 1586 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA) | Time Zone: Europe/Copenhagen (+01:00)