Bailes, F. (2019). Empirical musical imagery beyond the "mind's ear". In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 445–463). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 19/05/2021, 09:01
Bech, S., & Francombe, J. (2019). Consumer sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 321–348). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 19/05/2021, 08:44
Egermann, H. (2019). Creating a brand image though music: Understanding the psychological mechanisms behind audio branding. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 2, (pp. 349–367). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 19/05/2021, 08:50
Garner, T. A. (2019). Bridging the other-real: Video game sound and the imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 789–808). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 19/05/2021, 09:14
Grimshaw-Aagaard, M. (2019). Presence, environment, and sound and the role of imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 669–681). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 27/11/2021, 11:43
Grimshaw-Aagaard, M. N. (2019). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 105–113). United Kingdom: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 06/02/2023, 12:42
Grimshaw-Aagaard, M., Walther-Hansen, M., & Knakkergaard, M. (Eds). (2019). The Oxford handbook of sound and imagination. Vol. 1 & 2. New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 08/11/2018, 06:04
Gustafsson, C. (2019). Sonic branding: From brand image to brand imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 359–375). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 19/05/2021, 09:10
Knakkergaard, M. (2016). Unsound sound: On the ontology of sound in the digital age. Leonardo Music Journal, 26, 64–67.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 01/11/2017, 06:44
Talking of digital 'sound', the "digital material", comparing it to natural sound that is formed by the laws of physics: "for what is this otherworldly form in which the [digital] material occurs, that makes it possible to readily evade the laws of physics . . .?"
"The digital bit is not in the world in the true sense [they] are organized in arrays that consist solely of the simplest possible difference: something or nothing."
Using Heidegger, he describes the uncovering of nature made possible by technology, a process driven by humans: the uncovering is ordered and, in its ordering, "is co-shaping our concept and understanding of what is uncovered and ordered [there is a ] formatting that the exercise of any technique applies to what is uncovered and made available."
"The assembly is manifested in enframing form, but is it the real as standing reserve the enframing uncovers? Hardly, as the possible "un-covering" seems petrified in the metaphorical tables that define and delimit actions in the digital domain."
Knakkergaard, M. (2014). The music that’s not there. In M. Grimshaw (Ed), The Oxford Handbook of Virtuality. (pp. 392–404). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard 18/01/2014, 12:09
Knakkergaard, M. (2019). Beacons of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 01/05/2026, 09:25
Knakkergaard, M. (2016). Music by numbers. In S. H. Klempe (Ed), Cultural Psychology of Musical Experience. (pp. 299–318). Charlotte NC. Information Age Publishing Inc
Added by: Mark Grimshaw-Aagaard 01/10/2017, 13:00
"the number as describer–and constitutent–of music's internal ordering [is unable] to grasp the inner workings of the musical utterance"
"numbers are tools made by man [...] number is a social construction."
Discussing a particular rhythm in Michael Jackson's 'Give in to Me' from Dangerous (1991), Knakkergaard makes the point that the digital sequencer makes possible subdivisions of the beat that are unnatural, and possibly inconceivable, with standard musical notation.
Riddoch, M. (2019). Imagining the sounds themselves. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 55–77). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 19/05/2021, 09:06
Walther-Hansen, M. (2019). Sound quality, language, and cognitive metaphors. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. Vol. 1, (pp. 459–472). New York: Oxford University Press.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 27/11/2021, 11:40
