Sound Research WIKINDX
Sound Research WIKINDX |
|
 |
|
Murray, J. H. (1997). Hamlet on the holodeck: The future of narrative in cyberspace. Cambridge: The MIT Press. Added by: Mark Grimshaw-Aagaard (4/11/06, 1:17 PM) Last edited by: Mark Grimshaw-Aagaard (8/21/06, 3:46 PM) |
 |
| Resource type: Book ID no. (ISBN etc.): 0-262-63187-3 BibTeX citation key: Murray1997 Email resource to friend View all bibliographic details  |
Categories: Narrative Keywords: Immersion, Narrative, Performance Creators: Murray Publisher: The MIT Press (Cambridge) Resources citing this (Bibliography: WIKINDX Master Bibliography) |
Views: 8/1214
|
| Quotes |
|
p.98
"The experience of being transported to an elaborately simulated place is pleasurable in itself, regardless of the fantasy content. We refer to this experience as immersion."
Added by: Mark Grimshaw-Aagaard
Keywords: Immersion |
|
p.98
"A stirring narrative in any medium can be experienced as a virtual reality because our brains are programmed to tune into stories with an intensity that can obliterate the world around us."
Added by: Mark Grimshaw-Aagaard
Keywords: Immersion Narrative |
|
p.108
Discussing video games and the equation between real-world movements (mouse, keyboard input) and virtual world movements, "this is not a passive board game but a live-action stage."
Added by: Mark Grimshaw-Aagaard
Keywords: Performance |
|
p.125
"We are all gradually becoming part of a worldwide repertory company."
Added by: Mark Grimshaw-Aagaard
Keywords: Performance |
|
p.135
There are two ways to spatially navigate interactive texts: the maze is a conditional progression towards one outcome whereas the rhizome proposes many possible outcomes. Murray suggests that a labrynth "as a participatory narrative form would seem to lie somewhere between the two, in stories that are goal driven enough to guide narrative but open-ended enough to allow free navigation."
Added by: Mark Grimshaw-Aagaard
Keywords: Navigation Space |
| Paraphrases |
|
p.99
Immersion is a participatory activity.
Added by: Mark Grimshaw-Aagaard
Keywords: Immersion Performance |