Sound Research WIKINDX |
Resource type: Book ID no. (ISBN etc.): 978-0819522573 BibTeX citation key: Small1998 Email resource to friend View all bibliographic details |
Categories: General Keywords: Anthropology, Audiences, Culture, Education, Music, Musicking Creators: Small Publisher: Wesleyan University Press (Hanover, NH) |
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Quotes |
p.2
Small claims that the questions "What is the meaning of music and What is the function of music in human life? are the wrong questions to ask, for "[t]here is no such thing as music. Music is not a thing at all but an activity, something that people do."
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.4
Citing Dalhaus (1983, 4), the "concept of 'work' and not 'event' is the cornerstone of music history."
Small elaborates: "[M]usicologists . . . ascertain the real nature and contours of musical works by recourse to original texts . . . theorists . . . discover the way in which the works are constructed as objects in themselves . . . aetheticians . . . deal with the meaning of sound objects and the reasons for their effect on a listener. All are concerned with things, with musical works." Dalhaus, C. 1983. Foundations of Music History. Cambridge: Cambridge University Press. Added by: Mark Grimshaw-AagaardKeywords: Anthropology Audiences Culture Education Music Musicking |
p.8
"performance does not exist in order to present musical works, but rather, musical works exist in order to give performers something to perform."
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.9
Definition of musicking: "To music is to take part, in any capacity, in a musical performance, whether by performing, by listening, by rehearsing or practicing, by providing material for performance (what is called composing), or by dancing."
This is a concept that is "descriptive, not prescriptive." Added by: Mark Grimshaw-AagaardKeywords: Anthropology Audiences Culture Education Music Musicking |
Paraphrases |
p.2
Music conceived as an object, a thing, came about through "the trap of reification." An abstraction, through language use, of the action of music.
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.3
Music, through western academia and music criticism, has become equated with the western tradition, 'classical' music, which, through this equation, becomes privileged, and all other musics (including western popular musics) are relegated to the field of ethnomusicology. As Small points out (writing in 1998), even in the West, classical music sales of records account for only 3%.
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.5–6
The performance of a work of music:
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.7
In traditional musicology, "each musical work is autonomous," it has qualities that are inherent and without reference to "any occasion, any ritual, or any particular set of religious, political, or social beliefs."
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.8
"music's primary meanings are not individual at all but social. . . . The fundamental nature and meaning of music lie not in musical works at all, but in action, in what people do."
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |
p.10–11
Studying the meaning or nature of a work of music is a pointless task where there is (as often is the case in many cultures) no concrete musical work to study (10). Indeed, many musical cultures do not have a thing such as a musical work (11).
Added by: Mark Grimshaw-Aagaard
Keywords: Anthropology Audiences Culture Education Music Musicking |