Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.
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Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 249–253). New York: Routledge.
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Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 1–14). New York: Routledge.
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Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 35–45). New York: Routledge.
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Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 113–125). New York: Routledge.
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Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 171–177). New York: Routledge.
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Altman, R. (1992). Sound space. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 46–64). New York: Routledge.
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Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 15–31). New York: Routledge.
Added by: Mark Grimshaw-Aagaard 14/10/2004, 12:19
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 154–167). New York: Routledge.
Added by: Mark Grimshaw-Aagaard 26/10/2004, 14:44
Boden, M. A. (2004). The creative mind: Myths & mechanisms. 2nd ed. New York: Routledge.
Added by: Mark Grimshaw-Aagaard 06/06/2025, 03:18
Chion, M. (1992). Wasted words. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 104–110). New York: Routledge.
Added by: Mark Grimshaw-Aagaard 26/10/2004, 10:29
Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 191–203). New York: Routledge.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 13/02/2020, 12:23
Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 138–153). New York: Routledge.
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Grimshaw-Aagaard, M. (2018). What is sound (studies)? In M. Bull (Ed), The Sound Studies Companion. New York: Routledge.
Added by: Mark Grimshaw-Aagaard 27/12/2017, 09:20
Grimshaw-Aagaard, M. N. (2019). Presence and biofeedback in first-person perspective computer games: The potential of sound. In M. Filimowicz (Ed), Foundations in Sound Design for Interactive Media. (pp. 78–94). New York: Routledge.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 04/01/2024, 08:27
Grodal, T. (2003). Stories for eye, ear, and muscles: Video games, media, and embodied experiences. In M. J. P. Wolf & B. Perron (Eds.), The Video Game Theory Reader. (pp. 129–155). New York: Routledge.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 22/08/2006, 08:23
Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 204–216). New York: Routledge.
Added by: Mark Grimshaw-Aagaard 01/11/2004, 10:44
Lastra, J. (1992). Reading, writing, and representing sound. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 65–86). New York: Routledge.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 03/03/2006, 13:09
Lawrence, A. (1992). Women's voices in third world cinema. In R. Altman (Ed), Sound Theory Sound Practice. (pp. 178–190). New York: Routledge.
Added by: Mark Grimshaw-Aagaard 27/10/2004, 16:00
Lefort, C. (2014). Maurice Merleau-Ponty (D. A. Landes, Trans.). In Phenomenology of perception. (pp. xvii–xxix). New York: Routledge.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 10/09/2023, 08:16
