Sound Research WIKINDX
Sound Research WIKINDX |
|
 |
|
Wurtzler, S. (1992). "She sang live, but the microphone was turned off" The live, the recorded and the subject of representation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 87–103). New York: Routledge. Added by: Mark Grimshaw-Aagaard (3/3/06, 2:56 PM) Last edited by: Mark Grimshaw-Aagaard |
| Resource type: Book Article BibTeX citation key: Wurtzler1992 Email resource to friend View all bibliographic details  |
Categories: Film Music/Sound Creators: Altman, Wurtzler Publisher: Routledge (New York) Collection: Sound Theory Sound Practice |
Views: 8/767
|
| Notes |
|
The discourse between 'live' and 'recorded' -- draws on TV and popular music studies.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
| Quotes |
|
p.88
A representation posits "an absent original event"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |
|
p.88
The audiophile has a "fetishistic relationship to the means of representing [in order to gain] increased access to an original performance event"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |
|
p.88
Representational technologies (including virtual reality) are representations for which there is no original event: "[C]opies are produced for which no original exists"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |