Sound Research WIKINDX
Sound Research WIKINDX |
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Wurtzler, S. (1992). "She sang live, but the microphone was turned off": The live, the recorded and the subject of representation. In R. Altman (Ed), Sound Theory Sound Practice (pp. 87–103). New York: Routledge. Added by: Mark Grimshaw-Aagaard (3/3/06, 2:56 PM) Last edited by: Mark Grimshaw-Aagaard |
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| Resource type: Book Chapter BibTeX citation key: Wurtzler1992 Email resource to friend View all bibliographic details  |
Categories: Film Music/Sound Creators: Altman, Wurtzler Publisher: Routledge (New York) Collection: Sound Theory Sound Practice |
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| Notes |
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The discourse between 'live' and 'recorded' -- draws on TV and popular music studies.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
| Quotes |
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p.88
A representation posits "an absent original event"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |
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p.88
The audiophile has a "fetishistic relationship to the means of representing [in order to gain] increased access to an original performance event"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |
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p.88
Representational technologies (including virtual reality) are representations for which there is no original event: "[C]opies are produced for which no original exists"
Added by: Mark Grimshaw-Aagaard
Keywords: Authenticity Reproduction/Representation |