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Ukadike, N. F. (1991). Anglophone African media. Jump Cut: A Review of Contemporary Media, 36, 74–80. 
Added by: Mark Grimshaw-Aagaard (4/12/22, 8:49 AM)   Last edited by: Mark Grimshaw-Aagaard (4/12/22, 11:00 AM)
Resource type: Journal Article
Peer reviewed
BibTeX citation key: Ukadike1991
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Categories: General
Creators: Ukadike
Collection: Jump Cut: A Review of Contemporary Media
Views: 9/20
p.74   "Before independence (and in some cases the situation has not changed), foreigners totally controlled film distribution and exhibition. They imported films into English speaking African countries from the United States, Britain, China, Hong Kong or India. Needless to say, the films identified ideologically and aesthetically with the socio-cultural values of the producer nation — in all ramifications they are different from those produced on the African continent.

"Black Africans realize that U.S. films pervade the market. For example, the Tarzan series, regardless of their negative impact on African culture as a whole, were exhibited with impunity."

  Added by: Mark Grimshaw-Aagaard
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