Sound Research WIKINDX
Sound Research WIKINDX |
|
 |
|
Heuson, J. L. (2012). Heidegger's ears: Hearing, attunement, and the acoustic shaping of Being and Time. Contemporary Music Review, 31(5–6), 411–423. Added by: Mark Grimshaw-Aagaard (09/03/2023, 12:14) Last edited by: Mark Grimshaw-Aagaard (24/01/2025, 01:46) |
 |
| Resource type: Journal Article Peer reviewed Published DOI: 10.1080/07494467.2012.749100 BibTeX citation key: Heuson2012 Email resource to friend View all bibliographic details  |
Categories: General Keywords: Hearing, Presence Creators: Heuson Publisher: Taylor & Francis Online Collection: Contemporary Music Review |
Views: 3/1041
|
| Abstract |
|
"Despite the centrality of hearing to Being and Time, Heidegger's ears are rarely engaged as significant. This essay speculates on how Heidegger's acoustic biography might inform readings of Being and Time. Specifically, it explores the relationship between what Heidegger heard and the theory of attunement that undergirds his existential analytic. Heidegger heard his world as deeply ‘out of tune’ and responded by crafting a text to re-tune it. Being and Time must be engaged, then, as a tuning that seeks to transform philosophy by altering hearing itself, by readying the ears not to fly, flee, or plunge but to stand reticent."
|
| Quotes |
|
Test quote.
Added by: Mark Grimshaw-Aagaard
(24/01/2025, 01:46)
|