Sound Research WIKINDX
Sound Research WIKINDX |
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O'Callaghan, C. (2009-2020). Auditory perception. Stanford Encyclopedia of Philosophy. Retrieved October 3, 2023, from https://plato.stanford. ... es/perception-auditory/. Added by: Mark Grimshaw-Aagaard (10/3/23, 9:57 AM) Last edited by: Mark Grimshaw-Aagaard (10/13/23, 10:30 AM) |
| Resource type: Web Encyclopedia Article Language: en: English Peer reviewed ID no. (ISBN etc.): 1095-5054 BibTeX citation key: OCallaghan2009a Email resource to friend View all bibliographic details  |
Categories: General Keywords: Perception, Philosophy Creators: O'Callaghan, Zalta Collection: Stanford Encyclopedia of Philosophy |
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"Philosophical thinking about perception has focused predominantly on vision. The philosophical puzzle of perception and its proposed solutions have been shaped by a concern for visual experience and visual illusions. Questions and proposals about the nature of perceptual content have been framed and evaluated in visual terms, and detailed accounts of what we perceive frequently address just the visual case. Vision informs our understanding of perception’s epistemological role and of its role in guiding action. It is not a great exaggeration to say that much of the philosophy of perception translates roughly as philosophy of visual perception."
Added by: Mark Grimshaw-Aagaard
Keywords: Philosophy Perception Vision |
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"we might attempt to determine whether any unified account exists that applies generally to all of the perceptual modalities. We can ask this question either at the level of quite specific claims, such as those concerning the objects of perception or the nature and structure of content. We can ask it about the relationships among perceiving, believing, and acting. Or we can ask it about the general theory of necessary and sufficient conditions for perceiving."
Added by: Mark Grimshaw-Aagaard
Keywords: Perception Philosophy |
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"Listening to music and being receptive to its aesthetically relevant features requires not listening to violins, horns, or brushes on snare drums. It requires hearing sounds and grasping them in a way removed from their common sources. . . . Musical listening thus may be thought to provide a prima facie argument against the claim that in hearing sounds one typically hears sound sources such as the strumming of guitars and bowing of violins."
Added by: Mark Grimshaw-Aagaard
Keywords: Perception Philosophy |