Sound Research WIKINDX
Sound Research WIKINDX |
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Knakkergaard, M. (2019). Beacons of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds.), The Oxford Handbook of Sound and Imagination. New York: Oxford University Press. Added by: Mark Grimshaw-Aagaard (5/1/26, 9:21 AM) Last edited by: Mark Grimshaw-Aagaard (5/1/26, 9:25 AM) |
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| Resource type: Book Chapter Language: en: English Peer reviewed Published DOI: 10.1093/oxfordhb/9780190460167.013.35 ID no. (ISBN etc.): 9780190460167 BibTeX citation key: Knakkergaard2019 Email resource to friend View all bibliographic details  |
Categories: General Keywords: Artificial creativity, Artificial Intelligence Creators: Grimshaw-Aagaard, Knakkergaard, Walther-Hansen Publisher: Oxford University Press (New York) Collection: The Oxford Handbook of Sound and Imagination |
Views: 13/14
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| Abstract |
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Martin Knakkergaard discusses expectations and imaginations vis-à-vis the concert hall of the twenty-first century. The chapter outlines some of the central historical implications of Western culture’s haven for sounding music and its impact on the understanding of the musical phenomenon as an element in societal and cultural processes. Based on his case study of the Icelandic concert house Harpa, Knakkergaard considers how these implications, together with the prime mover’s visions, have been transformed as private investors and politicians take over. Throughout, Knakkergaard investigates the objectives required of musical sound and the far-reaching demands of the acoustics that modern concert halls must necessarily meet.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
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Need to read this but I recall something about how concert hall architecture has changed to reflect digital recording techniques. A tie to how AI changes music production?
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |