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Bridgett, R. (1999). The aesthetics of film music: From romanticism to modernism. Retrieved March 8, 2004, from http://www3.sympatico.ca/qualish/music.htm
Added by: Mark Grimshaw-Aagaard (06/09/2004, 17:32)

Resource type: Web Article
Published
BibTeX citation key: Bridgett1999a
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Categories: Film Music/Sound
Keywords: Film sound, Music
Creators: Bridgett

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Paraphrases

Hollywood of the '30s and '40s depended on romanticism of the Wagner variety (leitmotif etc.) while others (particularly European cinema) used the Brechtian alienation model.

Former engaged emotion, latter engaged mind.

Added by: Mark Grimshaw-Aagaard (03/12/2004, 10:36)