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Thompson, K., & Bordwell, D. (2003). Film history: An introduction 2nd ed. New York: McGraw-Hill. 
Added by: sirfragalot (02/16/2006 09:46:05 AM)   
Resource type: Book
ID no. (ISBN etc.): 0-07-038429-0
BibTeX citation key: Thompson2003
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Categories: Film Music/Sound, History
Keywords: Film sound
Creators: Bordwell, Thompson
Publisher: McGraw-Hill (New York)
Views: 5/604
Mostly sound from the economic and technical perspective with little on aesthetics or perception.
Added by: sirfragalot  
p.198   The ability to record then mix sound to film at a later date was increasingly possible from 1931 onwards.   Added by: sirfragalot
Keywords:   POA Technology
p.208   Some early directors overcame synch limitations of early dubbing techniques by filming characters from behind thereby not showing their lips moving. The ambiguity of this device was often used for dramatic effect by directors such as Hitchcock (e.g. Blackmail (Hitchcock 1929)).

Hitchcock, A. (Director) (1929). Blackmail [Film]. UK: British International Pictures.   Added by: sirfragalot
Keywords:   Synchresis/Synchrony
WIKINDX 6.4.9 | Total resources: 1084 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)

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