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Thompson, K., & Bordwell, D. (2003). Film history: An introduction. 2nd ed. New York: McGraw-Hill. 
Added by: Mark Grimshaw-Aagaard (2/16/06, 9:46 AM)   
Resource type: Book
ID no. (ISBN etc.): 0-07-038429-0
BibTeX citation key: Thompson2003
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Categories: Film Music/Sound, History
Keywords: Film sound
Creators: Bordwell, Thompson
Publisher: McGraw-Hill (New York)
Views: 12/1055
Notes
Mostly sound from the economic and technical perspective with little on aesthetics or perception.
Added by: Mark Grimshaw-Aagaard  
Paraphrases
p.198   The ability to record then mix sound to film at a later date was increasingly possible from 1931 onwards.   Added by: Mark Grimshaw-Aagaard
Keywords:   POA Technology
p.208  

Some early directors overcame synch limitations of early dubbing techniques by filming characters from behind thereby not showing their lips moving. The ambiguity of this device was often used for dramatic effect by directors such as Hitchcock (e.g. Blackmail) (Hitchcock 1929).



Hitchcock, A. (Director) (1929). Blackmail [Film]. UK: British International Pictures.   Added by: Mark Grimshaw-Aagaard
Keywords:   Synchresis/Synchrony