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Corner, J. (1992). Presumption as theory: 'realism' in television studies. Screen, 33(1), 97–102. Added by: Mark Grimshaw-Aagaard (28/03/2006, 11:02) |
| Resource type: Journal Article Published BibTeX citation key: Corner1992 Email resource to friend View all bibliographic details |
Categories: General Keywords: Realism Creators: Corner Collection: Screen |
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| Notes |
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Takes issue with a proliferation of definitions and understandings of 'realism' in television studies.
Added by: Mark Grimshaw-Aagaard |
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p. 100
There is a realism of form -- "staging, directing, acting, shooting and editing" -- and a realism of theme -- "plausibility of characterization, circumstance and action"
Added by: Mark Grimshaw-Aagaard
(03/12/2004, 10:36)
Keywords: Realism |
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p. 101
Mentions a further emotional realism based on Ien Ang's Watching Dallas book which is "deep-level resonances with the emotional organization of the viewer"
Added by: Mark Grimshaw-Aagaard
(03/12/2004, 10:36)
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p. 98
Defines two initial types of realism as they relate to television:
1. Verisimilitude: being like the real. 2. Reference - being about the real.
Added by: Mark Grimshaw-Aagaard
(03/12/2004, 10:36)
Keywords: Realism |