Sound Research WIKINDX |
Resource type: Proceedings Article BibTeX citation key: Kattenbelt2003 Email resource to friend View all bibliographic details |
Categories: General Keywords: Player experience Creators: Copier, Kattenbelt, Raessens Collection: Level Up |
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Notes |
A critique of dramaturgy as a tool for the study of digital games.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
Quotes |
p.422
"The lyric position primarily concerns an emotional orientation towards an affective perception of the world; the dramatic position primarily concerns an action-motivated orientation towards and a senso-motorial perception of the world; and the epic position primarily concerns a reflective oreientation towards and a contemplative perception of the world. The lyric and the epci position [sic] have in common that the player is liberated from the necessity of action."
Added by: Mark Grimshaw-Aagaard
Keywords: Player experience |
Paraphrases |
pp.420–421
State that computer games are usually analyzed as a sensory-motor model closely related to actuality and to the causality of action. This presupposes the Aristotelean, action-driven dramatic model. The complexity of experience on the part of the player is not done justice to with this approach.
Added by: Mark Grimshaw-Aagaard
Keywords: Player experience |