Sound Research WIKINDX |
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| Resource type: Book Language: en: English Published ID no. (ISBN etc.): 0-226-46801-1 BibTeX citation key: Lakoff1980 Email resource to friend View all bibliographic details |
Categories: General Keywords: Cross-modality, Metaphor Creators: Johnson, Lakoff Publisher: University of Chicago (London) |
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| Notes |
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Includes a 2003 afterword.
Added by: Mark Grimshaw-Aagaard Last edited by: alexb44 |
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pp. 189–190
"Since the time of the Greeks, there has been in Western culture a tension between truth, on the one hand, and art, on the other, with art viewed as illusion and allied, via its link with poetry and theater, to the tradition of persuasive public oratory. Plato viewed poetry and rhetoric with suspicion and banned poetry from his utopian Republic because it gives no truth of its own, stirs up the emotions, and thereby blinds mankind to the real truth. Plato, typical of persuasive writers, stated his view that truth is absolute and art mere illusion by the use of a powerful rhetorical device, his Allegory of the Cave. To this day, his metaphors dominate Western philosophy, providing subtle and elegant expression for his view that truth is absolute. Aristotle, on the other hand, saw poetry as having a positive value: "It is a great thing, indeed, to make proper use of the poetic forms, ... But the greatest thing by far is to be a master of metaphor" (Poetics 1459a); "ordinary words convey only what we know already; it is from metaphor that we can best get hold of something fresh" (Rhetoric 1410b)."
Added by: Mark Grimshaw-Aagaard
(03/05/2026, 01:27)
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