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Reeve, C. (2000). Presence in virtual theater. Presence: Teleoperators and Virtual Environments, 9(2), 209–213. 
Added by: sirfragalot (02/26/2018 06:08:14 AM)   Last edited by: sirfragalot (08/02/2018 01:20:57 PM)
Resource type: Journal Article
Peer reviewed
DOI: 10.1162/105474600566727
ID no. (ISBN etc.): 1054-7460
BibTeX citation key: Reeve2000
View all bibliographic details
Categories: General
Keywords: Immersion, Presence, Theatre
Creators: Reeve
Publisher: MIT Press (Cambridge, Massachusetts)
Collection: Presence: Teleoperators and Virtual Environments
Views: 6/95
"Using empirical data, this research suggests that key features of a typical theatrical rehearsal process can significantly improve the sense of presence for participants within a shared virtual environment. Research of shared virtual environments (VEs) for the production of theater shows suggests that theater applications have specific requirements for presence. These can be summarized as characterization, repetition, and group dynamic, while the level of presence is dependent on the actor-avatar, actor-space, and actor-actor relationships."
p.213   "Actors come with the ability to imagine, role play, communicate, and create a shared environment"   Added by: sirfragalot
Keywords:   Environment Immersion Presence Theatre
p.213   "Presence in virtual theater is reliant on three key relationships. The actor-avatar relationshipe represents the psychological link between the actor and his self-representation in the world. For this to be effective, there must be transparency between the actor's natural action/reaction and the movements of the avatar. The relation of actor to space creates an increasingly familiar environment and allows the actor to orient himself. Finally, the actor-actor relationship generates a group dynamic that adds personality to avatars abd promoites communal and individual ownership of the world that simultaneously engages users."   Added by: sirfragalot
Keywords:   Immersion Presence Environment Theatre
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